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25 Years of Def Jam Records!

Hard to believe that Def Jam Records has been around for 25 years! I remember the first time I heard of Def Jam, it was when I discovered The Beastie Boys classic debut “Licensed To Ill” a release that managed to bring hip-hop, punk, rock and mainstream audiences together with the universal call to “Fight for Your Right to Party!” Something any 13 year old (my age in 1986) can stand behind, even though I really didn’t know what “partying” was yet.

The label was started by the now-infamous record producer Rick Rubin in his dorm room at NYU and its first release was a single by his punk group Hose. Shortly after that, Vincent Gallo introduced Rubin to Russell Simmons. The label would then focus more on hip-hop and urban music but would also count thrash-metal band Slayer among its ranks, proving its diversity and desire to bring the rock and hip-hop communities together. Throughout the late 80s and early to mid 90s, Def Jam would dominate the pop charts with ground breaking releases by Public Enemy, LL Cool J and EPMD and then into the new millennium with chart-toppers Rihanna, Jay Z and Kanye West. Read the rest of this entry »

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Posted by on October 25, 2011 in Music

 

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What Was the First Thing You Bought Tickets For?

What was the first thing you ever bought tickets for? We posed this question to attendees at the open house for our new offices last Thursday and got some great responses. Here’s an easier to read, summary of what people wrote:

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Posted by on July 1, 2011 in BPT

 

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The Upsetter Hits the Big Screen!

What do The Clash, Paul McCartney, Andrew W.K., Beastie Boys and Bob Marley have in common? They have all worked with legendary Jamaican producer Lee “Scratch” Perry, whose influence on music and audio engineering can not be over-stated. An infamous eccentric behind the mixing board, “The Upsetter” not only revolutionized reggae music in his native Jamaica; his influence can be heard in everything from electronica to indie rock to hip-hop.

Perry began his career in music in the late 50’s as a record seller for Clement “Coxone” Dodd’s Kingston sound system and quickly began recording tracks for Dodd’s Studio One record label, eventually recording nearly thirty ska and rocksteady tunes. Eventually he and Dodd had a falling out and he began working with Joe Gibbs. He shortly fell out with Gibbs as well and founded his own Upsetter record label in 1968. His first single “People Funny Boy” was one of the first records to contain a “sample” (of a baby crying) and it also featured the chugging, syncopated beat that would eventually become known as the “reggae” rhythm. Read the rest of this entry »

 
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Posted by on May 10, 2011 in Film, Music

 

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